July 17, 2013

You Can Do a Graphic Novel/ Barbara Slate



The cover looks kiddish but this is an easy-to-understand, practical and informative book for those interested in creating a graphic novel.

Covers the how-tos of scripting, creating characters, plots, layouts.

It's not a very in-depth book but it doesn't have to be. Seems it's targeted at teens. Nonetheless I found this very insightful. I thought it covered the essentials.

Tips may seem somewhat simple but somehow they don't seem lightweight. Maybe because every piece of advise is steeped in practical experience.

Like turning off the overly critical voice that casts negativity to the whole creative process (So true! The creative craft is hard enough as it is).

Far from making motherhood statements, the advice are like timely reminders:

"Writing is rewriting. It is a rare writer who gets it on the first try."

The parts that were most practical for me:

Creating a profile of your character (e.. name, age, parents, siblings, describe the childhood, education, home life, employment, leisure activities, clothes, personal characteristics, love life, best friend, favourite colour, room mate... etc).

The "How to Plot" portion, much like working out a Gantt Chart for graphic novelists.
  • Colour-code each character (e.g. post-it notes).
  • Create columns, with each column representing chapters.
  • Write the scene/ idea/ dialogue for each character on the coloured note.
  • Place the note in each column (i.e. chapter).

Doing the above means the author is able to track the plot/ sub-plot, as "lived out" by each character, according to the chapters.

Brilliant.

The author's website, here.

July 09, 2013

ImagineFX: Fantasy & Sci-fi Digital Art/ Dec 2012



Some photoshop layering tips from Dec 2012's issue.

P88. Workshop feature by Annie Stegg.

  • Group layers together, and apply Mask (mentions Alpha Mask; restricts painting to the area).
  • For lighting, suggests creating two layers: one set to Multiply and the other to Colour Dodge. Work between these layers to get definition and depth.
  • Once basic lighting is done, add texture. Create a new layer; "setting a basic Speckled Brush to Screen"; put the layer on Soft Light.

  • Use Emboss and Bevel effects (try setting the directions to Up/ Down) to create inset looks on plate armour.
  • Shortcut: Use [F] to cycle through different screen modes in Photoshop.
  • Use the Smudge tool to "pull" hair strands when painting hair.

July 07, 2013

ImagineFX: Fantasy & Sci-fi Digital Art/ Sept 2012

ImagineFX sept 2012

From ImagineFX Sept 2012, p75.

Screen print effect using Photoshop:
  • Filter > Pixelate> Colour Halftone
  • Opacity to 15% or less
  • Blend mode: Overlay
  • Change the angles of the Halftone settings.

Learned about a software called Manga Studio.